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I recently had the pleasure of participating in a collaborative photo/ambient music project commissioned by Marc Weidenbaum of Disquiet.com. 25 ambient musicians created original sonic postcards in response to one another’s evocative Instagram photos. Below are all of the project details/links/downloads. But first…
I wanted to share a little about the inspiration for my song above, “In Reference to Time”.
Photo by: Marc Rushton
Equipment Used: Teenage Engineering OP-1 synth, Strymon El Capistan dTape Echo, Cordoba GKStudio Nylon String Guitar, Tape Recorder, TLAudio Fat Track, MacBook Pro
Inspiration: When I received my ‘assignment’ for this project I knew immediately what I wanted to do. This image makes me feel as though I have arrived early for a performance/presentation of some kind. Not being allowed into the main space just yet, I enjoy the angle of peering around a corner, over a stack of chairs, and seeing/hearing someone talking. I tried to capture some of this feeling in my track - the faint sound of someone’s voice, muted guitar and pads as if musicians were warming up, and other environmental noises. I hope it gives the sense of subdued excitement or anticipation one gets when they’re waiting at a show.
In return, I also submitted the following image, which musician Jared Smyth composed his track to.
Instagr/am/bient: 25 Sonic Postcards
Photos shared with the popular software Instagram are usually square in format, not unlike the cover to a record album. The format leads inevitably to a question: if a given image were the cover to a record album, what would the album’s music sound like?
Instagr/am/bient is a response to that question. The project involves 25 musicians with ambient inclinations. Each of the musicians contributed an Instagram photo, and in turn each of the musicians recorded an original track in response to one of the photos contributed by another of the project’s participants. The tracks are sonic postcards. They are pieces of music whose relative brevity—all are between one and three minutes in length—is designed to correlate with the economical, ephemeral nature of an Instagram photo.
The result of the 25 musicians’ collective efforts is an investigation into the intersection of technology, aesthetics, and artistic process. What parallels exist, for example, between the visual filters that Instagram provides users to transform their photos and the sound-processing tools employed by electronic musicians?
In many cases here, the musicians employ sonic field recordings as source material for their music. In the case of both their photos and their compositions (photography in one case, phonography in the other), documents are altered to emphasize their atmospheric qualities: to eke a modest art out of the everyday.
The full collection is also streaming at soundcloud.com/disquiet.
A Disquiet.com Project
Commissioned by Marc Weidenbaum
Cover Photo/Brian Scott
This is a track off my upcoming release, “Saturation Event”, due out mid-June 2011 on the Feedback Loop label.
Thanks or listening, I hope you enjoy it.
Only Light To Clear Away
I contributed a track to this benefit compilation album. Only $5 for some incredible music and for a great cause. Please help spread the word.
“A Distance Recordings compilation featuring a host of regular Distance artists plus some special guests who we invited to contribute, including: Sons Of Magdalene (Josh Eustis of Telefon Tel Aviv), Turk Dietrich (Belong), Loscil, Simon Scott ( ex Slowdive), Alessandro Cortini (Nine Inch Nails) and Rolan Vega.”
This is a long, slowly evolving, meditative piece that I put together using some of my favorite Reaktor ensembles, reverbs, and delays. Please download/share. I hope you enjoy it.
Thanks for listening.
“In Stillness I Hear Your Voice”
This is an outtake from my next album, entitled “Saturation Event”. Please download, share, etc.
I hope you enjoy it and thanks so much for listening.
Original Photo: http://www.flickr.com/photos/benjamindauer/5314512502/
Improvisation: June 13th, 2010
Another Monome improvisation. This time I ran Quadrants on my Grayscale 128 (Polygome & Tintinnabulome) MIDI sync’d to Ableton Live (Operator & Omnisphere). Thanks for listening.
Improvisation: May 30th, 2010
This is the first in a series of improvisations using a Grayscale 128 Monome MIDI sync’d to Ableton Live. I woke up early and was inspired by the view out my window over treetops in the direction of the National Cathedral.
Grayscale 128 Monome
Thanks for listening!